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Massive Attack - Protection

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Massive Attack - Protection

Protection is the second album by Bristol-based trip hop collective Massive Attack. Released in 1994, it was last to feature Tricky as a member of the group. Protection was featured in the Top Ten of Rolling Stone magazine's 'Coolest Albums of All Time List', calling it "great music for when you're driving around a city at 4 am," due to the 'chill out' nature of the album. Like most of Massive Attack's albums, the music often defies categorization, ranging from R&B to hip hop/rap to reggae-tinged synthpop to classical-influenced electronica instrumentals. The album follows Blue Lines structurally, to the point that the font used on the cover of the album is the same.

Protection is the second album by Bristol-based trip hop collective Massive Attack. Released in 1994, it was last to feature Tricky as a member of the group. Protection was featured in the Top Ten of Rolling Stone magazine's 'Coolest Albums of All Time List', calling it "great music for when you're driving around a city at 4 am," due to the 'chill out' nature of the album. Like most of Massive Attack's albums, the music often defies categorization, ranging from R&B to hip hop/rap to reggae-tinged synthpop to classical-influenced electronica instrumentals. The album follows Blue Lines structurally, to the point that the font used on the cover of the album is the same.

$11.89

Original: $33.98

-65%
Massive Attack - Protection

$33.98

$11.89

Description

Protection is the second album by Bristol-based trip hop collective Massive Attack. Released in 1994, it was last to feature Tricky as a member of the group. Protection was featured in the Top Ten of Rolling Stone magazine's 'Coolest Albums of All Time List', calling it "great music for when you're driving around a city at 4 am," due to the 'chill out' nature of the album. Like most of Massive Attack's albums, the music often defies categorization, ranging from R&B to hip hop/rap to reggae-tinged synthpop to classical-influenced electronica instrumentals. The album follows Blue Lines structurally, to the point that the font used on the cover of the album is the same.

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